Tuesday, October 26, 2010
Long overdue
My LA Times review of a not-so-good book. I like that I'm special to the LA Times. It's nice to be special.
Friday, September 3, 2010
Monday, August 23, 2010
Tuesday, July 20, 2010
Justine Kurland
Vice has posted my interview with Justine Kurland, as part of their July photography issue. They've included a nice selection of images, too, though not my favorite, so I've put that one below.
Friday, July 9, 2010
Alix Cleo Roubaud
Thought Catalog has just posted my article on Alix Cleo Roubaud's journals. Read it here. Don't delay.
Tuesday, June 22, 2010
My New Yorker blurb
Wednesday, May 26, 2010
Birgit Jürgenssen
My consideration of Austrian feminist artist Birgit Jürgenssen is up at Thought Catalog. I even have a bio pic!
Tuesday, May 4, 2010
Dan Clowes
My interview with Dan Clowes, years in the making, is in the latest issue of The Believer. It's not available online, so you'll have to spring for a copy. So worth it!
Thursday, April 15, 2010
Today Is All About Me (Apparently)
The Rudicks make their Drawn & Quarterly blog debut. (It's a scroll down.)
Tuesday, April 13, 2010
White House ladies love Chuck
Dr. Jill wore her high-tops to Haiti today, and last year, Michelle wore purple low-tops. Great footwear AND a health-care overhaul?
Friday, April 9, 2010
Friday, March 26, 2010
RIP Richard Stites
Thursday, March 25, 2010
If the Guggenheim were a bookshelf
Dezeen features an amazing translucent white bookshelf spiraling up a two-story staircase. It holds 6,000 books. The house belonged to a nineteenth-century Portuguese poet and was recently converted into a literary center.
Friday, March 12, 2010
Stereoscopes
Wednesday, March 10, 2010
Dubravka Ugresic
I have a review of her latest book, Baba Yaga Laid an Egg, in the new issue of Time Out New York. It's online here.
Tuesday, March 9, 2010
Harry Smith Colonoscopy
I knew Harry Smith was dead, but this headline caught my eye:
Turns out one of the show's anchors is named Harry Smith, which I didn't know, since I find TV news repellent.
HOWEVER
This makes a great excuse to watch some animation by the real deal.
Monday, March 8, 2010
Tony Judt in 'New York Magazine'
The latest issue of New York Magazine has a profile of Tony Judt, also available online. Judt, the author, most recently, of the brilliant Postwar: A History of Europe Since 1945, was diagnosed with ALS, or Lou Gehring's disease, in 2008 and has since lost the use of his body. Though the disease inexplicably stopped short of destroying his ability to speak (he does so with the aid of a microphone) and eat, he's essentially left with only his mental faculties intact. But what a mind. Judt is an aggressive, provocative, and stimulating thinker. He's also widely criticized, not least for his views on Israel. He's made enemies of friends, but I greatly admire his fearlessness and his belief in the intellectual's responsibility to stand apart and, often, alone.
“I think intellectuals have a primary duty to dissent not from the conventional wisdom of the age (though that too) but, and above all, from the consensus of their own community. . . . So liberals should look especially hard at the uninterrogated assumptions of liberalism. Otherwise we are just hacks for a party line. If I have an Archimedean ethical standpoint, it really just consists of telling the truth as I see it even if I don’t much care for the implications, or if it offends my friends and my political allies.”
The magazine has judiciously let stand lengthy, unbroken passages of Judt speaking, and it makes for great reading:
One thing I always felt very strongly empathetic about in my reading of [the Italian chemist and Holocaust diarist] Primo Levi was his absolutely clearheaded sense that none of what had happened to him in the camps had any meaning. You might draw lessons from it in terms of experience, you certainly might draw political lessons. But at the existential level of one man’s life, it had no meaning. This has no meaning. What I do with it is up to me.
Wednesday, March 3, 2010
Ikea does manga
Ikea has introduced a new line of fabrics inspired by Japanese manga and ukiyo-e (and even a little oragami). Called the "Charlotta" line, it's designed by Swedish mangaka Åsa Ekström (interview here). The US site has five patterns on the theme "Japan Meets Scandinavia." I like them all, though the one at right is my favorite. Nothing beats manga's angsty, absurd melodrama. (Plus: Gojira v. Stockholm.)
Also great for tea cozies!
Friday, February 19, 2010
Why the lapse?
Where have I been, lo these many days? Really I have no idea. But I have been reading some good books. I'm still working my way through Patti's Smith's memoir of Robert Mapplethorpe. (I'm actually reading it to my son at his bedtime. Smith writes with such dreamy language, that it's strangely appropriate.) As though the story of Smith and Mapplethorpe together during their early years isn't incredible enough, they move into the Chelsea Hotel and run into everyone, notably developing relationships with Harry Smith, Allen Ginsburg (Smith's first encounter with him has been one of the book's highlights), and William Burroughs.
Next up: Dubravka Ugresic's installment in Canongate's myth series. (Review forthcoming.) She's not for everyone, but I find her writing very clever. I particularly like her because she writes with a biting, agitated style that is missing from American and British literature. She's often angry or critical (as she is in this new book), and she lets it show, but it never detracts from her narrative. Rather, it feeds the story's success. Her style is indicative of a form of personal, introspective writing, more often found in Eastern European fiction, that is also politically engaged. I think, for instance, of Vedrana Rudan's Night, a novel that consists solely of one woman's rant about personal and political travails. Even with limited narrative expanses, books such as these manage to appeal to a wider frame of reference, a wider context, and their heroines—never passive—write their own stories. It's more daring than much of what is published in the US.
And: I'm also enjoying Elif Batuman's essays in The Possessed: Adventures with Russian Books and the People Who Read Them. She's a gifted storyteller, with a great comic timing.
Sunday, February 7, 2010
wutzatrker
What? On the new Rope and Pulley release? Why, yes, that is me gliding down the stairs of the Hermitage, imitating the climactic final scene of Andrei Sokurov's Russian Ark. Thank you for asking.
Friday, February 5, 2010
Buy it/Watch it
The Guild's third season is available for purchase in iTunes and will be selling on Amazon next weekend. If you're not watching this web show, you should be. It's Felicia Day! Remember?
Cute one on the far right? She helped save the world once, so at least you could watch her show. Plus, she later starred with this guy, so she's clearly doing something right.
Thursday, February 4, 2010
Monday, February 1, 2010
Sarah Doyle
Animated watercolors, titled Dancehall Danceoff, by artist Sarah Doyle. (Great, minus the soundtrack.)
Dancehall Danceoff from Sarah Doyle on Vimeo.
Sunday, January 31, 2010
Memoirs
I'm not one for memoirs. I've read very few, though I have just cracked open Patti Smith's new one, Just Kids, which, so far, is an exquisitely written book. That said, I enjoyed Mary Karr's interview in the latest issue of the Paris Review. It marks the first installment of the journal's "The Art of Memoir," a complement to their long-running "The Art of Fiction" interviews.
On why she doesn't pray everyday, despite knowing it would make her a happier person:
I think it's because my big smart mind likes the idea that it's running the show, and any conscious contact with God plugs me into my own radical powerlessness.
And on the recent rise in memoir-writing:
In the forties, the memoir was akin to history, which was absolute. One reason for a surge in memoir is the gradual erosion of objective truth, which makes stuff like assembled dialogue seem more acceptable. We mistrust the old forms of authority—the church and politicians, even science. The subjective has power now.
Sunday, January 24, 2010
Poe Toaster
I love the story that's been making the rounds since last Wednesday, the day after the Edgar Allen Poe's 201st birthday, about the mystery fan who failed to show at the poet's Baltimore gravesite, after having left roses and cognac there for the past sixty years. The numerous "nevermore" puns are hard to take, but the fact that dozens of people from all over the country flock to his grave in the middle of the night to pay tribute is awfully nice.
Saturday, January 23, 2010
Ilf & Petrov
Labels:
books,
Ilf and Petrov,
LA Times,
literature,
Open Letter,
Paris Review,
Russian
Friday, January 22, 2010
Frank O'Hara
The New Republic's book blog features a video of Frank O'Hara, one of my favorite poets, reading "Having a Coke with You," one of my favorite poems. The film is from 1966. He died later that year.
Saturday, January 16, 2010
Umida Akhmedova
Some terrific images by Uzbek documentary photographer Umida Akhmedova, who is facing prosecution for insulting the Uzbek people. (Via)
Tuesday, January 12, 2010
RZA makes (art) history
The RZA makes his visual art debut with Victory or Death. I'm all for ninja oarsmen, but I think the website trumps the painting. Can't go wrong with Carmina Burana. Each version contains a number of hidden Wu-Tang elements, and if you stare at it long enough, you can see Shaolin.
Monday, January 11, 2010
RIP Gumby
Art Clokey, creator of Gumby, died Friday. I remember watching his other show, Davey and Goliath, as a kid, because it was the only animated show that aired on Sunday mornings. It was often tough to decide whether the need for television entertainment outweighed the Godly lessons. So hard to be a nonreligious Jewish kid in Texas.
Saturday, January 9, 2010
The kingdom of the abstract
I've just begun reading an advance galley of Juliet Koss's Modernism After Wagner, which the always-excellent University of Minnesota is publishing, and came across a passage in the introduction about abstraction's early aspirations toward a universal language. She later ties this idea to theories of spectatorship (and, interestingly, cinema), but she starts with a terrific quote from Kandinsky, taken from his 1911 book, Concerning the Spiritual in Art.
The more abstract form is, the more clear and direct its appeal. The more an artist uses these abstract forms, the deeper and more confidently will he advance into the kingdom of the abstract. And after him will follow the viewer . . . who will also have gradually acquired a greater familiarity with the language of that kingdom.
Friday, January 8, 2010
Sunday, January 3, 2010
Tiny Houses
The LA Times has a slideshow of homes that are 1,000-square feet or less, photographed for Mimi Zeigler's book, Tiny Houses. The Walden, an homage to Thoreau, looks like a Joseph Cornell box.
Does the spareness of this design make you contemplate how much stuff you really need? Me, I like my stuff.
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